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MAYA NGUYEN



MN is a Vietnamese-Russian interdisciplinary artist with a focus on critical sound performance and diasporic making. She gathers speech fragments, urban recordings, body movements, migratory routes, sounds imitating nature sounds, and videos of daily encounters into open-ended compositions. These often take the shape of performance lectures, sound installations, movement works, and videos.

But no single material choice defines her practice. Instead, she works through ambiguity and interaction across borders: making a commitment of not committing to just one side, but to a multiplicity of sides; to the mix of different sound channels; to the touch of different bodies. Through these material interactions, she exposes power relations inherent in human interaction and the environments that facilitate these interactions, focusing on the domestic sphere, colonial histories, migratory routes, and the relating between the human and the natural world.



︎MORE WORK
︎︎︎SOUND ESSAY: A DIASPORIC MAKING

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video

BURY FRUIT


Video
Colour Video (15:03 min), Stereo Sound

Maclean Center
Chicago US, Nov 2022

︎︎︎https://youtu.be/JeoafYoHhdM


BURY FRUIT depicts the growth of a fetus through the popular convention of comparing it to different fruits.

A pair of hands presents fruits of increasing size and treats each one individually. Close attention is given to skin, internal organs, external marks, and biological function. The hands measure, dissect, clean, caress, and care for the fruits. At once delicate and clinical, this handling slips between the two meanings of fruit as object and fruit as offspring. And it is in this slippage that disparate aspects of the process of fruition — of biology, botany, birth, and the body — come irresolvably together to unsettle our received notions of reproduction.

What is the botany of human life? What is the anatomy of death? What does it mean to bear, and then to bury, fruit?