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MAYA NGUYEN


Based in Chicago, b. 1996, VN/RUS, Interdisciplinary Performer. Nguyen incorporates disparate (and often clashing) material sources into forms that remain conceptually indeterminate, such as performance lectures, sound improvisation, and participatory sculptural interventions. Her favored materials include: speech fragments, mistranslations, painful sounds, urban recordings, sounds imitating nature sounds, breast pump parts, internet debris, and videos of daily life.



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︎︎︎SOUND ESSAY: A DIASPORIC MAKING

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CAGE WITH THE SOUND OF ITS OWN MAKING


Steel Fence Posts, Human Bodies, Fabrication Tools

︎︎︎https://youtu.be/PUjzXlxCyB4



A crew of metal workers gathers for one night to live fabricate a large-scale steel structure that is at the same time a sonic instrument. Harsh grinding sounds of steel fence pipes being sawed are followed by resonant bell-like sounds of the same steel pipes played with hammers.

In reference to Robert Morris’ “Box with the Sound of Its Own Making.” As the story goes, John Cage came to see the box that contained a sound recording documenting its construction from start to finish, and insisted on sitting through the whole 3hr-long recording, to the surprise of Morris. 

Participants: Martina Freile (Lead Fabricator); Graciela Gonzalez (Drilling Lead); Evan Geczy (Sanding Lead); Maya Nguyen (Audio Technician); Bambi Kunst (Rigger); Sayeda Misa (Off-site Fabricator); Erik Peterson (Facilitator); Jenna Lyle (Supervisor); Ruby Que (Videographer); Eric Strom (Photographer)

Realized as part of The Arts Club of Chicago Fellowship 2025-26. The structure remained on-site as a temporary outdoor sculpture throughout August 2025.