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MAYA NGUYEN



MN is a Vietnamese-Russian interdisciplinary artist with a focus on critical sound performance and diasporic making. She gathers speech fragments, urban recordings, body movements, migratory routes, sounds imitating nature sounds, and videos of daily encounters into open-ended compositions. These often take the shape of performance lectures, sound installations, movement works, and videos.

But no single material choice defines her practice. Instead, she works through ambiguity and interaction across borders: making a commitment of not committing to just one side, but to a multiplicity of sides; to the mix of different sound channels; to the touch of different bodies. Through these material interactions, she exposes power relations inherent in human interaction and the environments that facilitate these interactions, focusing on the domestic sphere, colonial histories, migratory routes, and the relating between the human and the natural world.



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video

SEA SHELL


Video (06:15min)

Waveforms Festival
SAIC Sound Department
Online, Jan 2021

︎︎︎https://www.youtube.com/watch?v=hVtzDnSrLho

An empty shell rocks back and forth on four asynchronous screens, each one slightly displaced from the other in time. Some are known to rock as a way to self-soothe.

This video borrows from the fugue — a compositional technique in classical music where a phrase is introduced by one part and is successively taken up by others and developed by interweaving the parts. The term fugue can be traced back to the latin verbs fugere (“to flee”) and fugare (“to chase”). In the temporal weave of the fugal videos, the image is never at rest. It is always either fleeing from or chasing after itself, opening itself up to chance encounters and potential resonances.